There is also evidence that Salieri attended Mozart's opera, "The Magic Flute," and raved about the work to the composer afterward. Unlike the solitary, pious Salieri in the film, the real Salieri was a far more tragic character whose wife and son both died. The story of castrato opera singer Carlo Broschi, who enthralled 18th-century European audiences under his stage name Farinelli.
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In real life, the two composers had a cordial, if at times prickly, professional relationship. With Stefano Dionisi, Enrico Lo Verso, Elsa Zylberstein, Caroline Cellier. Historians place little credence in the notion that Salieri killed Mozart. 80 years on, Peter Shaffer turned the story into his Tony Award-winning play, which he later adapted into the screenplay for Milos Forman's lavish film, forever immortalizing the tale of Salieri's murderous envy. The myth gained further traction when Rimsky-Korsakov used Pushkin's play as the basis for his opera of the same name. Just take the scene when Salieri disbelievingly scans Mozart's drafts and declares "Here again was the voice of God!" He's a complex villain who is in awe of Mozart's talent but is driven by jealousy to take him down.Ī few years after Salieri's death, Russian writer Pushkin penned a play called "Mozart and Salieri," which ran with the idea that Salieri poisoned his supposed rival.
Indeed, Mozart is almost a side character as we see much of the story from Salieri's point of view, and Abraham is phenomenal in the role. While "Amadeus" is nominally a biopic of Mozart, it is very much the story of Salieri, reflected in the fact that Abraham won the Oscar for Best Actor while Hulce made do with a nomination. He will lead him to believe that his deceased dad has risen from the grave to commission a requiem, and pass off the piece as his own after he murders him. Mozart suffers from ill health brought about by his boozing and carousing, and, when Salieri learns of the death of the young man's father, he devises a terrible scheme.
Seeing it as a slight from God, Salieri renounces his religion and sets his sights on destroying the young maestro. Salieri, a respected composer of Emperor Joseph II (Jeffrey Jones) in Vienna, was appalled when his limited abilities were quickly overshadowed by the sublime music of the vulgar upstart, Mozart.
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